Right Here...Over There
May 21st, 2011
For Gametrak and interactive custom musical performance software.
Built, composed and performed with collaborator Mark Knippel.
Performed April 30th 2011
May 21st, 2011
For Gametrak and interactive custom musical performance software.
Built, composed and performed with collaborator Mark Knippel.
Performed April 30th 2011
April 29th, 2011
This is a documentary made by some Journalism students at the UO in regards to how the WiiMote is utilized in day to day life and uses.
Includes game control and music actualization.
April 29th, 2011
RoundLight was composed for Rebecca Ford and the TaiHei ensemble.
The piece utilizes 3 components;
1) a fixed media track,
2) Live microphone feed from vocalist,
and 3) controlling 2 streams of the vocalists input through the use of a wiiMote, mapping X and Y to pitch, and acceleration to ‘grabbing’ a point in time.
January 1st, 2011
“Canned!” for five blue-air IR sensors.
Composed by Simon Hutchinson,
performed by OEDO (The Oregon Electronic Device Orchestra):
Jeremy Schropp, Jenifer Jaseau, Simon Hutchinson,
Iris Wang, and Jon Bellona
at the Future Music Oregon Concert
20 November 2010.
“Canned!” written for the OEDO,
was inspired by the sounds one can make with a can of soda.
November 20th, 2010
Future Music Oregon
Fall 2010 Concert
…without a narrative,
Sedna experiences a memory
and recalls her experience
through movement.
Anna Waller- dancer
Text from The Power of Myth by Joseph Campbell with Bill Moyers
November 1st, 2010
Here is a performance piece of an Inuit myth,
using dance, narration, and electronic music.
This version of Sedna, has been narrated by yours truly,
along with edited footage from 2 dress rehearsals,
to complete the aural-visual experience of Sedna’s myth.
Please enjoy my custom rendition of Sedna: Goddess of the Sea.
October 16th, 2010
The Performance Video
Masters Culmination Project Performance
Intermedia Music Technology
—
Program
July 18th, 2010
This is the culmination project video
from a summer workshop I like to call “sensor camp!”.
This workshop, New Music Controllers,
was sponsored by CCRMA at Stanford in the summer of 2010
June 10th, 2010
Future Music Oregon
Spring 2010 Concert
In collaboration with my partner Mark Knippel, a real-time performance
for iPhone, nintendo wiiMote, a collection of sound makers,
custom software and video.
Written in Max/MSP/Jitter,
the initial idea was to explore how audio signals
can affect the video domain in various ways.
Since then, the piece has undergone its own evolution,
with additional elements being added
to make it more of a piece and less of a machine.
Essentially, there are 3 different types of sounds occurring throughout this piece:
sounds derived from an array of acoustic sound makers,
live manipulation of those sounds in real time,
and the addition of various recalled and manipulated in real-time meta-Tings!
The extension of the original acoustic instrument becomes transformed.
Their interaction with both each other and the video
create a temporal space that oscillates between
beautiful, humorous, and completely insane.
The video being used is entitled Hep Cat Symphony (1949), directed by Seymour Kneitel.
June 4th, 2010
Two versions of Whatever Lola Wants
from the Broadway musical “Damn Yankees”
arranged by yours truly,
performed by Natasha Reulet, Kev McD, SuSan, and on t-sax, Sean the voluptuous saxer
The Natasha version
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The Jen version
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© 2012 Jenifer Jaseau