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Right Here...Over There

May 21st, 2011

For Gametrak and interactive custom musical performance software.

Built, composed and performed with collaborator Mark Knippel.
Performed April 30th 2011


Wii Documentary

April 29th, 2011

This is a documentary made by some Journalism students at the UO in regards to how the WiiMote is utilized in day to day life and uses.

Includes game control and music actualization.


RoundLight

April 29th, 2011

RoundLight was composed for Rebecca Ford and the TaiHei ensemble.

The piece utilizes 3 components;

1) a fixed media track,

2) Live microphone feed from vocalist,

and 3) controlling 2 streams of the vocalists input through the use of a wiiMote, mapping X and Y to pitch, and acceleration to ‘grabbing’ a point in time.


Canned!

January 1st, 2011

“Canned!” for five blue-air IR sensors.
Composed by Simon Hutchinson,
performed by OEDO (The Oregon Electronic Device Orchestra):
Jeremy Schropp, Jenifer Jaseau, Simon Hutchinson,
Iris Wang, and Jon Bellona
at the Future Music Oregon Concert
20 November 2010.

“Canned!” written for the OEDO,
was inspired by the sounds one can make with a can of soda.


SednaSednaSenda

November 20th, 2010



Future Music Oregon
Fall 2010 Concert

…without a narrative,
Sedna experiences a memory
and recalls her experience
through movement.

Anna Waller- dancer

Text from The Power of Myth by Joseph Campbell with Bill Moyers


Sedna- custom rendition

November 1st, 2010



Here is a performance piece of an Inuit myth,
using dance, narration, and electronic music.

This version of Sedna, has been narrated by yours truly,
along with edited footage from 2 dress rehearsals,
to complete the aural-visual experience of Sedna’s myth.

Please enjoy my custom rendition of Sedna: Goddess of the Sea.


Sedna: Goddess of the Sea

October 16th, 2010


The Performance Video


Masters Culmination Project Performance
Intermedia Music Technology

Program


(***Click on program to view or download***)



New Music Controller Workshop

July 18th, 2010

This is the culmination project video
from a summer workshop I like to call “sensor camp!”.

This workshop, New Music Controllers,
was sponsored by CCRMA at Stanford in the summer of 2010


Ting! FMO

June 10th, 2010

Future Music Oregon
Spring 2010 Concert

In collaboration with my partner Mark Knippel, a real-time performance
for iPhone, nintendo wiiMote, a collection of sound makers,
custom software and video.

Written in Max/MSP/Jitter,
the initial idea was to explore how audio signals
can affect the video domain in various ways.
Since then, the piece has undergone its own evolution,
with additional elements being added
to make it more of a piece and less of a machine.

Essentially, there are 3 different types of sounds occurring throughout this piece:
sounds derived from an array of acoustic sound makers,
live manipulation of those sounds in real time,
and the addition of various recalled and manipulated in real-time meta-Tings!

The extension of the original acoustic instrument becomes transformed.
Their interaction with both each other and the video
create a temporal space that oscillates between
beautiful, humorous, and completely insane.


The video being used is entitled Hep Cat Symphony (1949), directed by Seymour Kneitel.


Whatever Lola Wants

June 4th, 2010

Two versions of Whatever Lola Wants
from the Broadway musical “Damn Yankees”

arranged by yours truly,

performed by Natasha Reulet, Kev McD, SuSan, and on t-sax, Sean the voluptuous saxer

The Natasha version

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The Jen version

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