by Mark Knippel
Movement 2: Denial and Acceptance
Performed at the Fall 2009 ECCE concert
directed by Sam Richards
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February 4th, 2010
from ECCE’s Animae, Spring 2009
A Collaboration by composer Mark Knippel, and choreographer Dawn Urista, and myself on saxophone
January 31st, 2010
For BlueAir infrared sensor and customized software.
March 15th, 2010
Future Music Oregon concert series
Winter 2009
This piece is performed using Symbolic Sound’s Kyma,
a real-time digital synthesis environment and the Wacom tablet as the control surface.
Ziller’s story utilizes text, as read by Alonzo Moore, from Tom Robbins’ book Another Roadside Attraction.
The text is a poem left by John Paul Ziller for his wife after she has experienced a devastating loss.
One cannot lose what was never found, just as even when something is lost, it is never gone.
This piece explores how text can be used as a background tapestry
to influence the unconscious awareness of time and space.
What we observe and accumulate through time always exists within us,
becoming part of our foundation and part of our experience.
One is meant to experience the full journey before the answer is revealed,
traveling from the tips of the mountains to arrive right in front of you.
February 27th, 2010
June 10th, 2010
Future Music Oregon
Spring 2010 Concert
In collaboration with my partner Mark Knippel, a real-time performance
for iPhone, nintendo wiiMote, a collection of sound makers,
custom software and video.
Written in Max/MSP/Jitter,
the initial idea was to explore how audio signals
can affect the video domain in various ways.
Since then, the piece has undergone its own evolution,
with additional elements being added
to make it more of a piece and less of a machine.
Essentially, there are 3 different types of sounds occurring throughout this piece:
sounds derived from an array of acoustic sound makers,
live manipulation of those sounds in real time,
and the addition of various recalled and manipulated in real-time meta-Tings!
The extension of the original acoustic instrument becomes transformed.
Their interaction with both each other and the video
create a temporal space that oscillates between
beautiful, humorous, and completely insane.
The video being used is entitled Hep Cat Symphony (1949), directed by Seymour Kneitel.
by Mark Knippel
Movement 1: The wait
Performed at the Spring 2009 OCF concert
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by Simon Hutchinson
Performed at the Winter 2009 OCF concert
or stream audio
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by Simon Hutchinson
for soprano saxophone, electric guitar, piano and acoustic bass
performed Fall 2008- OCF
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By Ryo Noda
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Fall 2009 TaiHei
by Mark Knippel
for Hulusi, Shamisen, and Percussion
TaiHei Fall 2009
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by __________________
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by Jamie Keesecker
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by Jeremy Schropp
Mvmt 1: Ruchenitsa
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Mvmt 2: Pravo Horo
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Mvmt 3: Daichovo Horo
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by Gina Scaccia
for flute and soprano saxophone
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performed April 2009 at Southern Oregon University
A collaboration between sound and color By Gen G and Jen J
using cSound and a matrix system for creating the relationship between sound and color.
© 2012 Jenifer Jaseau
