January 1st, 2011
“Canned!” for five blue-air IR sensors.
Composed by Simon Hutchinson,
performed by OEDO (The Oregon Electronic Device Orchestra):
Jeremy Schropp, Jenifer Jaseau, Simon Hutchinson,
Iris Wang, and Jon Bellona
at the Future Music Oregon Concert
20 November 2010.
“Canned!” written for the OEDO,
was inspired by the sounds one can make with a can of soda.
April 29th, 2011
RoundLight was composed for Rebecca Ford and the TaiHei ensemble.
The piece utilizes 3 components;
1) a fixed media track,
2) Live microphone feed from vocalist,
and 3) controlling 2 streams of the vocalists input through the use of a wiiMote, mapping X and Y to pitch, and acceleration to ‘grabbing’ a point in time.
April 29th, 2011
This is a documentary made by some Journalism students at the UO in regards to how the WiiMote is utilized in day to day life and uses.
Includes game control and music actualization.
May 21st, 2011
For Gametrak and interactive custom musical performance software.
Built, composed and performed with collaborator Mark Knippel.
Performed April 30th 2011
October 16th, 2010
The Performance Video
Masters Culmination Project Performance
Intermedia Music Technology
—
Program
July 18th, 2010
This is the culmination project video
from a summer workshop I like to call “sensor camp!”.
This workshop, New Music Controllers,
was sponsored by CCRMA at Stanford in the summer of 2010
March 15th, 2010
Future Music Oregon concert series
Winter 2009
This piece is performed using Symbolic Sound’s Kyma,
a real-time digital synthesis environment and the Wacom tablet as the control surface.
Ziller’s story utilizes text, as read by Alonzo Moore, from Tom Robbins’ book Another Roadside Attraction.
The text is a poem left by John Paul Ziller for his wife after she has experienced a devastating loss.
One cannot lose what was never found, just as even when something is lost, it is never gone.
This piece explores how text can be used as a background tapestry
to influence the unconscious awareness of time and space.
What we observe and accumulate through time always exists within us,
becoming part of our foundation and part of our experience.
One is meant to experience the full journey before the answer is revealed,
traveling from the tips of the mountains to arrive right in front of you.
February 27th, 2010
June 10th, 2010
Future Music Oregon
Spring 2010 Concert
In collaboration with my partner Mark Knippel, a real-time performance
for iPhone, nintendo wiiMote, a collection of sound makers,
custom software and video.
Written in Max/MSP/Jitter,
the initial idea was to explore how audio signals
can affect the video domain in various ways.
Since then, the piece has undergone its own evolution,
with additional elements being added
to make it more of a piece and less of a machine.
Essentially, there are 3 different types of sounds occurring throughout this piece:
sounds derived from an array of acoustic sound makers,
live manipulation of those sounds in real time,
and the addition of various recalled and manipulated in real-time meta-Tings!
The extension of the original acoustic instrument becomes transformed.
Their interaction with both each other and the video
create a temporal space that oscillates between
beautiful, humorous, and completely insane.
The video being used is entitled Hep Cat Symphony (1949), directed by Seymour Kneitel.
January 31st, 2010
For BlueAir infrared sensor and customized software.
May 24th, 2010
Ting!
Written and Performed by Mark and Jenifer Knippel
Performed at the Oregon Composers Forum, Spring 2010, University of Oregon
© 2012 Jenifer Jaseau
